Abstract

To characterize the phenomenon of modern tourism from a philosophical standpoint, to identify those anthropological changes that bring tourism to modern global culture, to identify changes in cultural identities occurring on a global dimension under the influence of the tourism industry. Scientific novelty. The hypothesis is that the development of the cultural tourism industry first leads to the emergence of performative identities, when it is possible to speak not simply of the emergence of multiple identities, but of the fact that ethnic and social identities are changing. Opposing external and internal travel, it is argued that global tourism initially relied on an external horizontal type of travel, only recently has tourism embraced external and internal travel, thereby becoming an education of education and self-development. Five main types of tourists are distinguished and characterized, their philosophical and anthropological characteristics. The three types are born in the modern and are related to the horizontal way of travel, it is a vagrant, a missionary, an artist. The postmodern era is characterized by the emergence of a new type of tourist – a creative personality, as well as fundamental anthropological changes concerning the flaner, the flaner is already looking not so much visual impressions as it was in modern times, how many impressions that can cause psychological shifts, anthropological changes through shock events of the Real. It is determined that the philosophical and anthropological characteristics of modern tourism include: “controlled risk”, “atmospheric” as an attraction to a holistic cultural complex, replacement of recreational tourism with tourism of self-improvement and education. It is revealed that for the XIX century there are two new types of tourists – the flaner and the creative personality. Flaner is not about traveling as such, but about watching life without trying to change it. The creative personality, watching life, changes him and himself, the identities of such a person are in principle multiple, and therefore variable depending on one or another environment and particular needs.

Highlights

  • Globalization trends are contributing to the transformation of collective identities, creating a unified, tourist-attractive, world culture, while the creation of new forms of tourism influence on mass culture and identities remain unaddressed as the tourism economy exerts a “soft” influence on the media and mass consciousness

  • With the help of common mass culture, advanced transportation, entertainment, media and social media, to create a global traveler-tourist world that can act as a vagabond, missionary, artist, flanner, or creative personality prone to self-testing and self-education

  • The player as a separate figure, in our opinion, dissolves in the three characters mentioned above, the element of the game is characteristic to the development of modernist style, in Postmodern it takes on new forms – game only is no longer able to satisfy most needs of Postmodern personality. 21st century is characterized by two new types of tourists – flanner and creative personality

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Summary

ФИЛОСОФСКИЕ АСПЕКТЫ СОВРЕМЕННОЙ КУЛЬТУРЫ ТУРИЗМА

Охарактеризовать явление современного туризма с философской позиции, выявить те антропологические изменения, которые приносит туризм в современную глобальную культуру, определить изменения культурных идентичностей, происходящие в глобальном измерении под влиянием индустрии туризма. Доказывается гипотеза, что развитие культурной индустрии туризма прежде всего приводит к. Для постмодернистской эпохи характерно зарождение нового типа туриста – креативной личности, а также принципиальные антропологические изменения, касающиеся фланера, фланер уже ищет не столько визуальных впечатлений, как было в модерную эпоху, сколько впечатлений, которые способны вызвать психологические сдвиги, антропологические изменения самости из-за шока визуальной события Реального. Определено, что к философско-антропологических характеристик современного туризма можно отнести: «контролируемый риск», «атмосферность» как привлечение к целостному культурному туристическому комплексу, замену развлекательного туризма на туризм самосовершенствования и образования. Что для XXI века характерны два новых разновидности туриста – фланер и креативная личность. Титар Олена Володимирівна доктор філософських наук, професор кафедри теорії культури та філософії науки

ФІЛОСОФСЬКІ АСПЕКТИ СУЧАСНОЇ КУЛЬТУРИ ТУРИЗМУ
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