Philip E. Phillis, Greek Cinema and Migration, 1991–2016 (Edinburgh: Edinburgh University Press, 2020)

Abstract

With this engaging work on the contemporary filmic representation of migration by Greek cinema, Philip Phillis enters significantly into the hotly debated the issue of migration en masse to Europe of the last decades, doing so with an approach that is both artistic and historical. In focusing on the border crossings that have particularly affected the geopolitical space of the Greek peninsula over the last thirty years, the author succeeds in proposing a thorough outlook to the migratory question through the analysis of its cinematic portrayals by Greek filmmakers or filmmakers active in the Greek area from 1991 to 2016. In fact, through a sensitive and intelligent operation, Phillis sets issues of a purely cinematic nature alongside an eminently political analysis, developing these in parallel throughout the book. This dual nature of the discourse is masterfully held together through the careful — and never superficial — descriptive analysis of the films covered and the ability to compare the poetics of the various directors with the need to re-give voice to migrants and refugees. In fact, Phillis, while praising many directors in his book, seems never to lose sight of the fact that “Greek immigration cinema is produced from a hegemonic position of enunciation since relevant power structures empower indigenous filmmakers rather than the migrants represented on film” (p. 11).