Phenomenology of memory and images of native land in poetry of Farit Yakhin

Abstract

The aim of this article is to show some deep senses of Farit Yakhin's poetry, represented, in particular, by the subject of his homeland. There are writers whose development continues along the "peripheral" line of motion of today's Tatar literature. "Peripheral", contrary to our thinking, does not mean "low quality", since often this "marginal status" is determined by the fact that the vector of literary development is defined by "new" or, on the contrary, "conservative" guidelines, and in its light, one that preserves the successive traditionality of writing, varying with a brilliant individual originality within strictly defined limits , is evaluated as something different and therefore "peripheral". But it must be said that the approach of current preference (we have the right to study it within the framework of the "sociology of reading activity") is somewhat wrong, because it does not give the opportunity to study a literary phenomenon to its full extent? Farit Yakhin is a great writer, and we cannot help but complain that, despite the quantitative size of his artistic production, it has not yet been properly publicized