Abstract

This paper re-turns to a workshop we co-organised in London in 2018 as part of a series called ‘how to do sociology with…’ (Methods Lab, Sociology Department, Goldsmiths, University of London). The series aims to consider what happens when the materials, media, objects, devices and atmospheres of social research central to our practices are brought into focus. The specific material that we worked with and thought through in this workshop was glitter – a thing that is ubiquitous in early childhood and in wider feminine, gay, and queer cultures. We draw on new materialist theories, methods and practice research to consider how preparing and dismantling this workshop might be understood as a means of enacting feminist new materialism. We do this not to propose a blueprint for how new materialisms should be done so much as to offer a series of questions, reflections, and diffractions on what unfolded and the affective and embodied traces that were left. In this sense, the paper understands arts-based practice to hold unanticipated pedagogical capacities which we attend to throughout the paper in terms of ethics, politics and care. We dwell upon ethics politics and care by drawing on long-standing feminist arguments regarding what is often neglected in written accounts of doing research and by focusing on the affective work involved in designing, choreographing, and managing a workshop that asked participants to seriousplay (Haraway, 2016) with glitter and explore its material and affective properties. We discuss our own discomfort with, and uncertainty about, organising such a workshop, and go on to outline what we see as the productive aspects and implications of orchestrating a glitter workshop for how we might conceive and do new materialist work. This includes a discussion about the response-ability of seriousplay with plastic in the contemporary climate, and more broadly about what new materialist methods and practice research might contribute to an understanding of educational and social research, and pedagogical and political practice. Throughout, photographs taken by us before, during, and after the workshop are included, to not only illustrate the points we make and give readers/viewers a different sense of the workshop, but also extend what might count as academic knowledge production and circulation.

Highlights

  • Materialising a Glitter WorkshopThis paper takes as its starting place a practice research workshop that we co-organised and ran

  • The workshop centred around glitter - a material that is ubiquitous in early childhood and in wider feminine, gay, and queer cultures, as well as in contemporary debates regarding plastics, pollution, and nature

  • We take this approach as a way to centre questions of ethics, politics and care, which we see as crucial overlapping issues in feminist new materialist work and in longer standing work on the doing of feminist research

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Summary

Materialising a Glitter Workshop

This paper takes as its starting place a practice research workshop that we co-organised and ran. The affective labour involved in making the workshop happen, and the subsequent aftershocks, expanded our understandings of, and approaches to, feminist new materialisms. We asked participants to work with various glitters in different ways, and to reflect on its material and affective properties as they were in the process of working with it. Understanding a material, or assemblage of materials, in terms of what it does/they do is core to new materialisms, as matter is dynamic, processual and transformative and as such, is not settled; it is always in the process of. In this paper we contribute to this understanding of matter by exploring what glitter does. This paper is an attempt to grapple with how to account for what glitter does – or, what it did to us in the context of the workshop and the reverberations that are felt months later

Feminist Matters of Care
Encountering Different Glitter Differently
Seriousplay with Glitter
Attending to Life within the Contemporary Academy
Full Text
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