Abstract
By way of a double reading of the temporality of guillotine and photography in the anonymous 1939 film of the execution of Eugène Weidmann, this essay examines the putative instantaneity of death, which posits life as that which happens only before death.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callMore From: Mosaic: a journal for the interdisciplinary study of literature
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
