Abstract

ABSTRACT This article assesses Peter Quill, a radio thriller drama that aired on WGN (1938–1940) and evinces the early multimedia interaction of newspaper-owned radio stations through a tie-up with the Chicago Tribune, its owner. The paper condensed each week’s program with a visual summary, while the program dramatically echoed and amplified the paper’s anticommunist stance and rightist ideology through another mode and medium. Peter Quill aided US authorities in stymieing the Red Circle, a fifth-column communist group that typically overwhelmed the capabilities of law enforcement and the military. Quill also provides a scientific genius superhero that anticipates the Cold War.

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