Abstract

The theater, in which the actors are people with autism spectrum, has not yet been researched extensively. Most of the texts consider the therapeutic contexts of theatrical activity performed by people with autism spectrum, or even interventions against them using theatrical techniques. In this article, the author looks for a different perspective on the phenomenon of theater activities performed by people with autism spectrum. The presented research was aimed at showing the activities of "Authentic Artists" theater in two dimensions: personal and social. The research method used was a qualitative study of an individual case, which was the theater group of people with autism spectrum "Authentic Artists" from Łódź. The research showed that theatrical activity can be a source of personal satisfaction and fulfillment for people with autism spectrum. The theater also turned out to be a place to establish relationships and make friends. It has been shown that the activity of "Authentic Artists" has also an emancipatory potential, being a space for searching for their own forms of identity and creativity.

Highlights

  • Till the second half of the 20th century, the approach to people with disabilities was shaped by a medical model of disability, which negatively influenced social attitudes towards them

  • In the volume devoted to theatrical activity of disabled people, Therapy and Theatre

  • “I am convinced that a theatre play [...] should [...] be art, beautiful and engaged in a dialogue with the audience – and at the same time, it should support cultural emancipation of disabled people,” writes Baro (2006, p. 75)

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Summary

Edukacyjna Analiza Transakcyjna

How to cite [jak cytować]: Pawlik, S. Personal and social dimensions of the theatrical activity of people with autism spectrum disorder – the case study of the ‘Authentic Artists’ theatre group.

Editorial preface
Introduction
The theatre of people with autism spectrum disorder
Methodological framework of the research
Participation in theatre gives me joy and freedom in spectrum
Conclusion
Full Text
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