Performing the self in contemporary rural China: voice from a villager

Abstract

ABSTRACT This paper provides the voice from a villager who participates in the art-led rural reconstruction in southwest China, and in so doing, to highlight the contemporary vernacular creativity embodied by villagers participating in art. Existing studies tend to understand villagers as merely responsive agents of the state-led or artist-initiated artistic practices, overlooking the inherent agency of villagers in artistic production. Drawing on the individualization thesis in Chinese society, this paper examines the project Yangdeng Art Cooperative in the rural area of Guizhou Province, China with a special focus on the individual perspective of villager Linghu. Findings show how Linghu's quest for self-identity infiltrates the collaborative practices with artists and gives rise to the autobiographic performance that is characterized by everydayness, improvisation, and relationality. Autobiographic performance of Linghu demonstrates an endogenous approach to artistic production and further concretizes a hybrid rurality that is always ongoing.