Abstract

Between 1998 and 2000, the Gap clothing company produced three advertising campaigns whose visual images consisted of choreographed movement sequences based on vernacular dance forms, theatrical jazz dance, and the codes and conventions of the Hollywood musical: “khakis,” “that's holiday,” and “West Side Story.” Each campaign produced a series of commercials that employed dance and musical theater in an attempt to bridge the gap between entertainment and advertising, and between popular culture and art. By manipulating standard advertising conventions, the Gap framed these televisual texts as performances or artworks, rather than as advertisements, creating choreographic, performance-oriented commercials that became the sign of Gap clothing. As a result, the commercials have been identifiable, just as the clothes have been, by style alone.

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