Performing religion: A comparative study of two interrelated Islamic practices

Abstract

Abstract This research examines the sikiri dance of the Muslim Yao in Malawi and its contextual and performative associations with Islamic doctrines. Today the current state of sikiri is known to a certain extent, but its background still requires in-depth study. The evidence at hand, however, demonstrates that throughout history performing sikiri has caused controversies among various regional Islamic schools. This was mainly due to its accommodation of non-Islamic features, which in time have undergone some changes and, in case of the studied examples, even disappeared. Today’s sikiri dance nevertheless incorporates particular features that are reminiscent of Islamic ritual practice dhikr with respect to performance practice, form, context and embeddedness in Islam. The main aim of the research is therefore to investigate a potential kinship between present-day sikiri and dhikr in its most general sense. By doing so it also aims to draw attention to the dynamic quality of performative practices of Islam in the East African environment. The analysis is primarily based on empirical evidence that was obtained from a short fieldwork in Mangochi and Blantyre districts in Malawi.