Abstract
AbstractArchaeological research can draw on material remains to understand the ways that individuals may have expressed their identities in pursuit of specific goals. Here ritual performances in ancient Mesoamerica are considered for their role in shaping identities deployed to gain social and political power. The Late to Terminal Classic period (a.d.650–960) site of Las Canoas, Honduras, is offered as a case study. In particular, the monumental Main Plaza Group at Las Canoas is examined as a spatial setting for the performance of rituals involving the use of incense burners and ceramic anthropomorphic figurines. These performances are argued to have facilitated the efforts of certain members of the community to take advantage of shifting political and economic alliances in the region and make a bid for power. Ultimately, however, their efforts to establish spiritual and political leadership did not endure.
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