Abstract
Table of Contents Note on Transliteration and Translation About the Companion Website Introduction Musical Ways of Bearing Witness Chapter 1 Music of Disruption: Collage and Fragmentation as an Expression of Trauma in Alfred Schnittke's Concerto for Piano and Strings Chapter 2 Hammering Hands: Galina Ustvolskaya's Piano Sonata No. 6 and a Hermeneutic of Pain Chapter 3 Witnessing History during Glasnost: Arvo Part's Tabula Rasa as Musical Testimony in Tengiz Abuladze's Repentance Chapter 4 Music, Mourning, and War: Gorecki's Third Symphony and the Politics of Remembering Epilogue Bibliography Notes Index
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