Performing Identity and Persuading a Public: The Harlem On My Mind Controversy

Abstract

This article analyses the performance of racial identity in the events surrounding the 1969 exhibition Harlem On My Mind held at the Metropolitan Museum of Art. This racial performativity reflected widespread anxiety about the inclusion of African Americans in American art museums, where they had typically been excluded, and the ambiguous role of whites in addressing demands for representation. Faced with such demands, white curators, directors, and other museum professionals did not easily cede their authority. Instead they tried to demonstrate that they were no longer impediments to African American access, but rather facilitators of that access. Using the exhibition Harlem On My Mind as a case study, this article aims to shed light on the instrumental uses of race identity in the field of museums in the 1960s and today.