Abstract
June 01 2012 Performing Ferocity: Fancy Dress, Asafo, and Red Indians in Ghana Courtnay Micots Courtnay Micots Spent Spring 2012 as a Visiting Scholar teaching African art history for the Institute of African Studies at the University of Ghana in Legon. She has also taught at University of South Florida in Tampa and University of Illinois at Urbana-Champaign. Her research since 2007 focuses on the coastal arts of Ghana and specifically on hybrid forms found in architecture and performance. fanteart@gmail.com Search for other works by this author on: This Site Google Scholar Author and Article Information Courtnay Micots Spent Spring 2012 as a Visiting Scholar teaching African art history for the Institute of African Studies at the University of Ghana in Legon. She has also taught at University of South Florida in Tampa and University of Illinois at Urbana-Champaign. Her research since 2007 focuses on the coastal arts of Ghana and specifically on hybrid forms found in architecture and performance. fanteart@gmail.com Online ISSN: 1937-2108 Print ISSN: 0001-9933 © 2012 by the Regents of the University of California.2012 African Arts (2012) 45 (2): 24–35. https://doi.org/10.1162/afar.2012.45.2.24 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn MailTo Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Courtnay Micots; Performing Ferocity: Fancy Dress, Asafo, and Red Indians in Ghana. African Arts 2012; 45 (2): 24–35. doi: https://doi.org/10.1162/afar.2012.45.2.24 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsAfrican Arts Search Advanced Search This content is only available as a PDF. © 2012 by the Regents of the University of California.2012 Article PDF first page preview Close Modal You do not currently have access to this content.
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