Performing Femininities: Listening to White Working-Class Girls in Rural Maine

Abstract

In this article, I explore the ways in which sixth, seventh, and eighth grade White girls from poor and working-class families in rural Maine understand, express, and react to dominant cultural definitions of femininity. Using a qualitative method, The Listening Guide, to interpret data gathered over the course of a year from weekly videotaped focus group conversations and individual interviews, I identify and underscore the contradictory nature of what constitutes appropriately feminine discourse and behavior for these girls — discourse and behavior that is radically different from the dominant White middle-class cultural ideal and that offers these girls a wide range of physical and verbal expression not usually considered under the rubric of conventional femininity. I then examine the girls' ambivalent relationship with middle-class propriety, as well as their anger, their longing, and, in some cases, their resistance to dominant cultural ideologies of femininity. Although such resistance may serve them well in their local community, it puts them at odds with the expectations of their teachers and other adults invested in the conventional feminine ideal and thus underscores their displacement in school and society. The Listener's Guide, I contend, provides a way to elucidate the struggles these working-class girls experience as they negotiate and contest contradictory voices and visions of appropriately feminine behavior and constructions of self vying for their attention and allegiance.