Abstract
Performing Aesthetics, Performing Politics addresses the role that community art can play in the process of making home anew for dislocated individuals. By examining the specific case of The Jewish Home Beautiful pageant first written in the 1930s and performed by North American Jewish congregations ever since questions about home's properties, associations and manifestations (or lack-thereof) in the political, cultural, emotional and physical realms are posited alongside a critical analysis of the ways in which aesthetics contribute to the process wherein homelessness in one group ends up creating homelessness for others.
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