Performing Acupuncture on a Necropolitical Body: Choreographer Faustin Linyekula's Studios Kabako in Kisangani, Democratic Republic of Congo

Abstract

Faustin Linyekula stages what I shall call “geo-choreography” in the Democratic Republic of Congo (DRC). What is choreography if not an embodied practice that demands a continual reordering of space? Geo-choreography reorders the urban landscape choreographically without colonizing it. Instead, it establishes a network of architectural sites within that landscape whose effect I shall endeavor to describe in this essay. In 1993 Congolese choreographer Linyekula went into exile for eight years, during which time he attended university in Kenya and studied theater in London, only to be pressured by the British government to return to Kenya, where he was introduced to dance theater. In 2001 Linyekula returned to the DRC, where he founded his contemporary dance company, Studios Kabako, in Kinshasa, the country's capital. Working out of both Kinshasa and Paris, Linyekula established an international career as an experimental dance maker. After five years (in 2006) he transferred his company from Kinshasa to his hometown, Kisangani. Located in the northeastern DRC, this haunted urban terrain has been devastated by political violence, including that of the Second Congo War (1998–2003) and its aftermath. In trying to rediscover a sense of belonging for himself and for others, Linyekula is presently designing a network of studios for emerging artists throughout Kisangani. Linyekula's dance company and network of studios taken together, and housed under the same name of Studios Kabako, encourage a fluid movement between the social and the artistic.