Abstract
In this paper, I explore conceptions of creativity in musical performance in both popular and Western art musics. I examine Cyndi Lauper’s iconic performance of the song “Girls Just Want To Have Fun,” which transformed the meaning of Robert Hazard’s original demo of the same song. I then analyze performance choices relating to structural cadences in Mozart’s Sonata in A minor, K. 310; Bach’s Cello Suite No. 1 in G major, BWV 1007; and Beethoven’s Sonata in ".fn_flat("A")." major, op. 110.
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