Abstract
Zora Neale Hurston was the most prominent woman in the Harlem Renaissance. “As an ethnographer and writer, she … is now considered one of the defining authors of the African American literary tradition” ( Robinson, 2005:272). Following the suggestion of Hill (1996) and of Plant (1995), this essay links Hurston's ethnography and fiction with a discussion of performative speech acts. In particular, Hurston's work is linked to a conventionalist/intentionalist debate about how illocutionary speech acts should be interpreted.
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