Abstract
Este artigo tem como objetivo discutir as performances híbridas do pensamento de Modesto Brocos y Gomez. Utilizamos como fonte o livro Viaje a Marte (1930), obra ficcional que transita entre o gênero utópico e o modo anedótico. Para tanto, procuramos analisar a vinculação do autor ao gênero literário utópico e a sua relação com a sátira, ligando-os às discussões do final do século XIX e início do século XX sobre o embranquecimento do povo brasileiro, levando também em consideração as telas que pintou sobre o tema.
Highlights
This paper aims to discuss the hybrid performances in the thinking of Modesto Brocos y Gomez
It Uses as source the book Journey to Mars (1930), a fictional work that transits between the utopian genre and the anecdotal mode
For that it discusses the connection of the author to utopian literary genre and its relation to satire, linking them to the discussions of the late nineteenth and early twentieth centuries on the whitening of the Brazilian people, taking into account his paintings on this subject
Summary
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