Performance practices in classic piano music: their principles and applications

Abstract

Foreword by Malcolm Bilson Preface: About Performance Practices Acknowledgments Sources of Figures Introduction: Using this Book Abbreviations I. Background for the Study II. The Fortepiano circa 1780-1820 III. Dynamics and Accentuation IV. Use of the Pedals V. Articulation and Touch VI. Historical Technique and Fingering VII. Ornaments VIII. Mixed Meters and Dotted Rhythms IX. Choice of Tempo X. Flexibility of Rhythm and Tempo XI. Performing Beethoven's Bagatelle Op. 126, No. 5 Notes Selected Bibliography Index