Abstract
This paper critically analyzes audience responses to Ananya Dance Theatre's work Pipaashaa: Extreme Thirst. Ananya Dance Theater intervenes in colorblind racial politics through casting only women and girls of color. Different responses by audiences of different social locations constitute critical discourses about race and social justice—catalysts for personal and social transformation. An examination of the discourse around Pipaashaa demonstrates that materiality of both performing and viewing bodies are important factors in creating meaningful art that envisions and inspires change.
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