Performance, Identity, and the Neo-Political Subject

Abstract

Introduction: Performance, Identity, and the Neo-Political Subject Matthew Causey and Fintan Walsh Part I: Positioning the Neo-Political Subject 1. Bloody Thought Herb Blau 2. ID/entity: the Subject's Own Taking Place Matthew Causey and Gabriella Calchi Novati Part II: A/Semiotic Directions 3. The Theatre of Thought Patricia MacCormack 4. Performance, the Field Body, and Zombies in Societies of Entrainment David Fancy 5. The Fugitive Theatre of Romeo Castellucci: Intermedial Refractions and Fractalactic Occurrences Bryan Reynolds and Adam Bryx 6. The Post-subjective Body, Or Deleuze and Guattari Meet Romeo Castellucci Audrone Zukauskaite Part III: Collaborative Practice, Collective Action 7. A Diluted Manifesto Lin Hixson, Matthew Goulish, and Laura Cull 8. Being Janez Jansa' Maaike Bleeker 9. The Bone's Pirouette: Dance, Identity and Energy Petra Kuppers 10. Dance and the Event: John Jasperse's Giant Empty and the Disclosure of Being as Time Nigel Stewart Part IV: Performing Along and Outside the Borders of Identity 11. Temporary Legitimacy: Queer Possibilities in Digital Performance Stephen Greer 12. Affective Presents/Effective Presence: Intensity, Futurity, and the Theatrical Politics of the Child Joshua Abrahams 13. The Matter of Queer Politics and Ethics: Antony Hegarty and The Crying Light Fintan Walsh 14. Reflective Viewing: ORLAN's Hybridized Harlequin, Banksy, Bacon, and the Animal-Human Divide Jennifer Parker-Starbuck 15. Palestine and Political Invention Maurya Wickstrom