Perceptual scale for transparency: Common fate overrides geometrical and color cues.

Abstract

Objects that pass light through are considered transparent, and we generally expect that the light coming out will match the color of the object. However, when the object is placed on a colored surface, the light coming back to our eyes becomes a composite of surface, illumination, and transparency properties. Despite that, we can often perceive separate overlaid and overlaying layers differing in colors. How neurons separate the information to extract the transparent layer remains unknown, but the physical characteristics of transparent filters generate geometrical and color features in retinal images, which could provide cues for separating layers. We estimated the relative importance of such cues in a perceptual scale for transparency, using stimuli in which X- or T-junctions, different relative motions, and consistent or inconsistent colors cooperated or competed in forced-preference psychophysics experiments. Maximum-likelihood Thurstone scaling revealed that motion increased transparency for X-junctions, but decreased transparency for T-junctions by creating the percept of an opaque patch. However, if the motion of a filter uncovered a dynamically changing but stationary pattern, sharing a common fate with the surround but forming T-junctions, the probability of seeing transparency was almost as high as for moving X-junctions, despite the stimulus being physically improbable. In addition, geometric cues overrode color inconsistency to a great degree. Finally, a linear model of transparency perception as a function of relative motions between filter, overlay, and surround layers, contour continuation, and color consistency, quantified a hierarchy of latent influences on when the filter is seen as a separate transparent layer.