Abstract
:Drawing on Stephen Prince's concept of “perceptual realism”' to examine the use of computer-generated images in two megahit Korean blockbuster films of 2014, The Admiral: Roaring Currents and Ode to My Father, this article underlines these films' impression of reality as the nexus of the complex intersections between Korea's national history and identity, and the industrial and aesthetic transnationality of Korean popular cinema.
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