Abstract
Metrical organization exists more importantly in the pattern constructions of the listener than in the physical signal. It serves a major function in control of attention, as prosodic features do in daily speech. The accents of speech are timed attention peaks, presenting meanings for which they prepare our attention in advance. Metrical organization fosters expectancy through larger durations—metrical stanzas are larger expectancy spans. The metrical effect is not a mere physical drumbeat; it is an atmosphere of shaped sustained expectancy. Perception is an active process, in which the perceiver contributes pattern. The rhythm of speech is a conspicuous example of such contribution. A technique for investigating and demonstrating the order contributed by meter is provided by unled choral reading.
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