Abstract
This essay examines the performative aspect of observances and festivities associated with Rogationtide, or ‘perambulation day’, in early modern England. After considering pre- and post-Reformation Rogationtide traditions, it identifies how these occasions were an opportunity for communities and parishes to reflect upon and consolidate local boundaries and identities. It also explores how documentary evidence for perambulations broadens critical understandings of the mimetic, musical, and festive activities recorded in the Records of Early English Drama (REED) project, posing methodological questions about using performance as well as mimesis as a characteristic determining a record’s inclusion in a REED collection.
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