Abstract
The article examines the main features of Andrea Zanzotto’s poetry (1921-2011) and scrutinises the poet’s manuscripts kept at the University of Pavia’s Centro Manoscritti di Autori Moderni e Contemporanei. The analysis specifically focuses on the intricate genetic and elaborative processes underlying Zanzotto’s ‘trilogy’ or ‘pseudo-trilogy’, composed of three poetry collections published in nearly a decade, Il Galateo in Bosco (1978), Fosfeni (1983), and Idioma (1986).
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More From: Istituto Lombardo - Accademia di Scienze e Lettere • Rendiconti di Lettere
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