Abstract
Two Peruvian poets, belonging to the avant-garde period, present a similar poetic and at the same time differentiated conception: Magda Portal and Serafin Delmar. Both poets reflect on the poetic construction and the creative process. It is a bet to give poetry a form of knowledge, that is, a cognitive capacity. Thus, the poem is irreverent and affects language, emphasizes its silence. A comparative interpretation of A Hope and the Sea (1927) by Portal and Radiographs of the Pacific (1927) by Delmar demonstrates structural similarities, as well as the urgency of reflecting on poetry in the face of the vicissitudes of the early twentieth century.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
