Pengaruh Narasi pada Seni Lukis Tradisi Bali: Studi Bahasa Rupa Lukisan Wayang Kamasan dan I Ketut Gede Singaraja

Dewa Gede Purwita

doi:10.24843/jh.2021.v25.i04.p10

Abstract

Traditional Balinese painting elements contain narrative, illustrative, figurative, functional, these formed the structure of Balinese art which is closely related to the existence of the text as the background of its creation. This study aims to read the influence caused by narrative as things that affect the “wimba” and the “cara wimba” in traditional Balinese painting which is focused on Sutasoma's painting in the Kamasan painting style in Bale Kambang Kerta Gosa, Klungkung and the painting of Prabu Salya by I Ketut Gede Singaraja. This research method uses a qualitative art research with analytical descriptive, the theory used as an analysis is the system namely Ruang-Waktu-Datar from the theory of Bahasa Rupa. The results of the analysis show that the narrative forms a system of procedures for depicting traditional Balinese paintings which can be seen from the way the perspective is applied from various sides, the pattern of depiction of figures that replace facial expressions with gestures, as well as the presence of a symbolic time dimension. Through reading with the Ruang-Waktu-Datar, it is found that traditional Balinese paintings are influenced by narratives that are very strongly reflected in their language of appearance.

Highlights

Unsur seni lukis Tradisional Bali mengandung unsur naratif, ilustratif, figuratif, fungsional, hal tersebut membentuk struktur seni rupa Bali yang sangat erat kaitannya dengan keberadaan teks sebagai latar belakang penciptaannya
This study aims to read the influence caused by narrative as things that affect the “wimba” and the “cara wimba” in traditional Balinese painting which is focused on Sutasoma's painting in the Kamasan painting style in Bale Kambang Kerta Gosa, Klungkung and the painting of Prabu Salya by I Ketut Gede Singaraja
The results of the analysis show that the narrative forms a system of procedures for depicting traditional Balinese paintings which can be seen from the way the perspective is applied from various sides, the pattern of depiction of figures that replace facial expressions with gestures, as well as the presence of a symbolic time dimension

Summary

Singaraja mewakili sisi perkembangan yang signifikan dari gaya gambar wayang

Kamasan atau sebagai hasil karya dari masa peralihan dan juga awal inovasi artistik seni gambar menjadi seni lukis wayang dengan berubahnya teknik pengerjaan terutama perlakuan terhadap warna. Meskipun di dalam perkembangannya terdapat perubahan dari sisi teknis, tematik gambar pewayangan tetap menampilkan adegan yang ditransformasikan melalui teks menjadi rupa. Dengan demikian maka dapat ditarik sebuah rumusan masalah tentang bagaimanakah pengaruh narasi terhadap seni lukis tradisi di Bali?. Tulisan ini bertujuan untuk menyelidiki dan menganalisa pengaruh-pengaruh yang ditimbulkan dari latar belakang penciptaan seni lukis tradisi Bali yang sangat lekat dengan keberadaan teks sebagai sumber penggambaran yang sangat naratif, ilustratif, dan juga figuratif, lebih dari itu juga bagaimana pengaruhnya terhadap cara wimba pelukis Bali mengapresiasi teks sebagai bentuk relasi terhadap unsur-unsur estetik yang menyusun sebuah lukisan tradisi

METODE DAN TEORI

HASIL DAN PEMBAHASAN

DAFTAR PUSTAKA

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