Penerapan Konvergensi dan Divergensi TV9 Lombok di Era Disrupsi

The development of communication and information technology has affected the world of television broadcasting in Indonesia. With the emergence of a new phenomenon, the convergence of digital media industry. The migration of analogue to digital television broadcasting has impacted various industries related to broadcasting. Especially for the sustainability of the television broadcasting community in the country. Station Tv x is one of the television communities, on the other hand the media industry has challenges in managing storage media consisting of audio and video data that has a large capacity. Audio video logs are needed as information on recording audio video files. Blockchain-based Interplenary File System (IPFS) technology is expected to be one of the alternatives that can be applied in the world of broadcasting, storage media and audio video file data distribution methods, data library security and data flexibility are one of the challenges faced in the television broadcasting industry. The purpose of this research is as an effort to decentralise audio video data in distributed storage media to be more optimal and secure. The results of this research can be used to distribute audio video data files in the data library at tv station x.

Television and radio broadcast media are the main means for various political actors to promote the candidates they support, as well as the political ideas they use. This can also have a negative impact in the world of broadcasting, such as unbalanced reporting, divisions between communities, and even black campaigns. Therefore, the role of the KPI as a state institution that oversees broadcasting activities in Indonesia is really needed, especially in election years the issue that always circulates regarding media impartiality. This research aims to find out the KPI strategy in overcoming broadcast media bias. This research uses a qualitative descriptive method with a case study type of research, where the data search uses observation, in-depth interviews and documentation, and then the data presentation uses descriptive. The results of this research, firstly, are that the strategy carried out by KPI to overcome media bias is: a) Creating an election task force with Bawaslu, KPU, and the press council to speed up law enforcement, b) Then providing appeals and outreach to all broadcasting institutions to comply with regulations. . election, P3SPS, and PKPI number 4 of 2024, c) Data on the number of news reports, running texts and advertisements featuring election participants or parties

This paper approaches the Moroccan broadcast media landscape in the age of globally internetworked digital broadcasting systems through an integrated critical content-analysis of TVM’s viewing frequency, cultural normalization effects, and reception patterns as manifest among Moroccan youth. TVM is short for TV Morocco, a handy English substitute for SNRT (Societe Nationale de Radiodiffusion et de Television, National Radio & Television Broadcasting Corporation). The paper, first, presents a succinct historical account of the station’s major stages of institutional and structural evolution since its inception to date. Second, it tries to measure the channel’s degrees of watchability and needs satisfaction partially with a view to clarifying what this study sees as a phenomenon of satellite and digital migration of many Moroccans to foreign broadcast and electronic media outlets. Third, the paper attempts to demonstrate if TVM exerts any consolidating or weakening effects on the cultural identity patterns in Morocco purportedly resulting from an assumed normalization process. These three undertakings are carried out on the basis of a field survey targeting a random sample of 179 Moroccan second and third year students of English Studies at Ibn Tofail University, and an elected set of media approaches like Uses and Gratifications Theory, Social Cognitive Theory, Cultivation Theory, and Cultural Imperialism. Keywords: Broadcast media, Moroccan television, normalization, media needs gratification

The broadcasting media through radio and television broadcasts have influenced significantly on people’s views of its function as a medium toboost the popularity, propaganda, and image of a specific community. The broadcasting media have been able to bring a significant impact on its success in conveying the message to the audience. A two-way communication process between the communicant and communicatorshas been underlying such success as stated in the SR theory in which the media present great stimuli that are uniformly observed by the masses, and give more encouragement. This paper focuses on affective and cognitive aspects of the public affected by the broadcasting media. Radio and television audiences have known and understood certain information of which broadcasting media have already instilled that sense of understanding. Then, by knowing this tendency, they may arouse cognitive aspects to the audiences. In addition, the affective aspects caused by the broadcasting media have created the impression of empathy towardssomeone, and care about the launched programs. Therefore, it is expected that the broadcasting media really emphasize on educating function in which they are also able to educateand encourage audiences to be intelligent and critical audiences.Keywords: broadcasting media, communication, cognitive aspects, and affective aspects.

Author(s): Aslam, Jamil | Abstract: The notion that the Federal Communications Commission can restrict speech on broadcast radio and broadcast television more strictly than on other media, such as the Internet, is so familiar today that its constitutionality is often taken for granted.In a landmark 1978 decision, Federal Communications Commission v. Pacifica Foundation, the Supreme Court of the United States stated that broadcast media receive less First Amendment protection than other media. The Supreme Court has given two rationales for its distinction between media (referred to in this article as the “media distinction doctrine”). First, broadcast radio and television are unique because the frequencies that they use could become flooded if not regulated, and thus nobody would be able to transmit content over broadcast radio and television without the government’s intervention. Second, broadcast radio and television are uniquely pervasive into the home, and thereby risk transmitting unwanted vulgarities to listeners and their children.In this article, I argue that, given the technological development since Pacifica was decided, it is no longer sound to afford less First Amendment protection to broadcast media. After exploring the effects of technological development, I argue that neither of the above rationales remains sound. I also argue that other factors, such as consumer demand, would prevent broadcast media from transmitting offensive content even without the media distinction doctrine in place.

Facing a digital media system, European public service broadcasters have encountered increasing scrutiny from both competitors and regulators. As these institutions have ventured onto media platforms very unlike traditional broadcast radio and television, discussions about the scope of their activities have flourished. The case of the internet clearly illustrates the emerging challenges. How have public service broadcasters approached the internet? How do regulatory frameworks relate to the wider remits? Is it public service media online? This article presents a comparative study of three Western European mainly publicly funded broadcasters' activities on the internet, their arguments in support of them, the role of competitors, and actual regulatory frameworks they relate to. It scrutinizes how different forms of regulations affect the developments. Based on the findings, the article outlines remaining problematic issues for national regulation of public broadcasters' online services and suggests how researches might get a better grasp of public service media online.

A plethora of media platforms were involved in communicating recent protests across the Middle East and North Africa (MENA), though it remains unclear exactly how these interacted. This qualitative article, based primarily on interviews with British Broadcasting Corporation (BBC) newsworkers, explores the networked linkages between social and broadcast media, asking how social media content moved into broadcast news, which standards shaped the interface between the two and how these standards were defined. It finds that a set of normative and practical standards caused significant friction at the interface, which is reduced as content assimilates these standards. Standards are shaped mainly in response to broadcast imperatives, but also through the mainstreaming of social media and more efficacious and practicable networked communicative practices, indicating how power may shift in the networked age. Responding to the optimistic view that networked multimedia environments enable unencumbered communication, it argues that the scope and limits of communicative affordances depend on these standards.

In Nigeria, the public broadcast media system was originally designed to be in the forefront of promoting human development, democracy, peaceful coexistence, transparency, rule of law and serving as mediators of the public sphere. However, the public broadcast media in the country have not been successful in playing these roles fully when compared to the print media, for example. Apart from being in predominantly urban areas, public broadcast media in Nigeria are largely elitist and heavily commercialised in their programming and content. Hence, factors such as deregulation, liberalisation and commercialisation of the broadcast media industry have impacted negatively on how public broadcast media are perceived by the audience and other players in the industry. This paper seeks to analyse the effect of deregulation and commercialisation of the broadcast media in Nigeria since 1992 on public broadcast media’s accessibility and public participation for a broad range of segments in society, the rich, the poor, marginalised groups and women. Using critical discourse analysis approach, extant literature was critically reviewed, and a theoretical framework was conceptualised for adoption in future research. Recommendation for future research is given at the end of the paper. Keywords: Commercialisation, Deregulation, Nigerian broadcast media, Political economy of communication, Political economy of public broadcasting DOI : 10.7176/NMMC/84-01 Publication date :October 31 st 2019

In this chapter, the broadcasting of television and radio are analysed from an economic point of view. Broadcasting has public goods characteristics that shed light on public policy in the sector. The state typically has been involved in its provision and, in many countries, broadcasting has been provided and financed exclusively by the state – and it still is in some countries. In addition to economic reasons, however, because broadcasting is so important as a means of mass communication, the state has typically regulated it to promote acceptable standards of reporting news and events, to give equal opportunities to all political parties and to minority communities and languages, and to ensure there is sufficient public service element to broadcasts. These and other reasons also lie at the back of the strong state regulation of broadcasting that is observable in all countries, and has been there since the beginning. A feature of particular interest to cultural economists is the question of the finance of public service broadcasting (PSB), which, in some ways, shares similar features to the discussion of subsidy to the arts. Radio and television supply programmes to an audience and, as mass disseminators of cultural content, they are creative industries; as such, they share economic properties with other creative industries, and are closely linked in the case of radio to music and to film in the case of TV. Watching TV and listening to the radio are the most popular of all cultural participation activities and people spend more hours ‘consuming’ them than any other cultural product.

<p><em>This study aims to determine the Z generation digital native of Instagram social media account owners with public features that have a tendency to develop integrated account owners, through the use of multimedia broadcasts and the potential to promote visual works in the creative industry. The data collection period was observed by observing the posting of the respondent's portfolio on the feed from May - September 2020. The research design was correlational quantitative research between the Characteristics of Generation Z (X1), Social Media Broadcast (X2) and Creative Industry Integrated Development Multimedia (Y) variables. The purpose of this study was to determine the relationship between the ability of Generation Z Characteristics in processing learning outcomes with the use of social media. Broadcast is integrated into a part of promoting portfolios in Creative Industry Integrated Development. Research data from a population of 180, of which there are 91 generation Z, and 20 accounts with Digital Native characteristics with public settings, taken as the research sample. The results obtained 1) Generation Z tends to have Digital Native Characteristics obtained as much as 84%, 2) Generation Z tends to have digital native characteristics that carry out the activity of Social Media Broadcast as much as 84%, 3) There is a native digital indicator of Generation Z doing Integrated Creative Industry Development for 88%. 4) Producing an accredited national publication research journal indexed.</em><em></em></p><p><strong><em>Keywords</em></strong><em>: Sosial Media broadcast, Multimedia, Creative Industry, Digital Native, Z Generation</em></p>

This study examines how the dynamics surrounding mediatisation of COVID-19 narratives significantly impacted broadcast news selection among broadcast media professionals in Nigeria. It conceptually expounds on certain influences that mediatisation dynamics exert on broadcast news stories especially on how they were chosen, framed, and presented to the public. The theoretical foundation of this paper is provided by the Media System Dependency and Mediatisation theories. The study employs Hjarvard, Mortensen, and Eskjaer’s (2015) typologies of media dynamics: amplification, framing, performance avenues, and co-structuring to relate how mediatisation influences broadcast news selection. The study revealed that amplification entails the media’s power to magnify event, focusing predominantly on the negative aspects of the pandemic, such as death tolls and infection rates, which aligns with the typical newsworthiness criteria favouring the extraordinary and negative. Conversely, framing and performance avenues align with the broadcast media’s ability to shape how the pandemic was perceived by selecting terminology and emphasising specific issues. This includes sensitising the public on preventive measures and providing a platform for various stakeholders to communicate their actions. Co-structuring explores how the broadcast media, often controlled by the elite, influence the public agenda and prompt actions from authorities. The paper concludes that broadcast media not only influence society but are also influenced by the concept of mеdiatisation, acknowledging the vital role they play in providing information for societal well-being.

Publicly owned broadcasting media in Serbia have real estate which is practically state property. They represent smaller part of broadcasting system that is foreseen by Broadcasting Act (2002)to be adual one. Other and bigger part of this system represents private, so called commercial broadcasting media. In this article, there will be no discussion about commercial emitters. Broadcasting media in public ownership should exist at national and level of Autonomous Region of Vojvodina only. They are legally obliged to fulfill communication needs of citizens according to European standards about quality and format of programs, which are designated as 'public service'. However, because of Act on Local Governments, Act on Capital City and Act on National Councils of National Minorities, there is a plenty of other publicly owned broadcasting media in Serbia today. They are also expected to have information, education and entertainment functions. Hence, in line with an idea to have pure dual broadcasting system, regional and municipality broadcasting media should have been privatized until year 2007. But, privatization process has legally and practically failed. Publicly owned broadcasting media still have relatively safer existence because they have the right to take incomes from broadcasting fees, advertising revenues and budgets of their founders. Despite of this, our survey has shown that even broadcasting media in public ownership make no profit, but losses instead. Respectively, they are not technological leaders as they must be, and their level of productivity is low, because of large number of employees protected as 'state clerks'. On the other hand, they suffer lack of young, multitask and digitally literate journalists. Therefore, new kinds of professional journalist skills is realized by part-time or honorary engaged journalists who are ready, contrary to managers, to accept networking journalism. As our research has discovered, managers of publicly owned media also criticize the role of the state in media system, although such media are surviving on state's money. In one hand, objections are directed against founder's rights of the state at regional and municipality level which keeps alive too much emitter. In other, they would like state to safeguard their existence even in absence of subscription revenues by budget money.

Diaspora

The United Nations agency UNESCO issued in 2009 the Paris Declaration on Broadcast Media and Climate Change: A Public Service Remit where the role of communication was underlined as vital in informing and educating the public about the realities of climate change and the costs of inaction. Citizens are informed of the environmental crisis through media channels. By integrating the topic of sustainability into all television programming, from children’s programmes to reality TV shows, we can elevate this once-peripheral issue to a prominent position in the public consciousness. Understanding, measuring, and effectively reporting the degree to which the topic of sustainability is featured in broadcast media is challenging (McDonagh and Orero forthcoming). While some analyses and methodologies exist, these can be difficult to implement and time-consuming. Currently, there are no automatic tools to measure large language-based broadcast corpus data. Some companies have developed their own private methodology. Seeking to remedy this critical oversight, the goal of this paper is to propose the use of subtitles as a tool and explain the singularity of subtitles as a text type. At present subtitles are already used to mine information, which is the second part of the article. As a text type, subtitles features need to be taken into consideration. The final part defines the objective of our research: to use subtitles as a metric to measure the frequency, topic coverage, and accessibility of sustainability-related content in television. By drawing on subtitling data, we can measure the degree to which sustainability is discussed and presented in the wider broadcast mediascape. These data are expected to be instrumental in drafting reports, guidelines, and recommendations on sustainability for broadcasting in the region with the possibility of influencing national and international policy. By using subtitles as measurable raw data to develop metrics to gauge the quantity of sustainability-related content in broadcast television, we can better understand how climate change is currently covered. Armed with this knowledge, we can develop strategies and benchmarks to promote sustainability as a concept and contribute towards Net Zero targets.

This study analyzes the dynamics of the communication network between the Islamic Communication and Broadcasting Study Program (KPI) of the Faculty of Da'wah and Communication Sciences, UIN Syarif Hidayatullah Jakarta and broadcasting media institutions and identifies the obstacles faced in dealing with the creative industry. This study uses a qualitative approach. Data collection techniques include in-depth interviews and documentation. Data were analyzed using Rogers & Kincaid's communication network theory. The results of the study indicate that the communication network between the KPI Study Program and the broadcasting industry is still hierarchical, with a chain communication pattern that limits the flow of information and direct access of students to the industry. The main obstacles found include the lack of opportunities for field practice, limited internship quotas, and the lack of industry involvement in developing a curriculum based on market needs. In addition, the formal cooperation that has been established between the Islamic Communication and Broadcasting Study Program and the broadcasting industry is still not optimal in creating a flexible and responsive communication system to the development of digital technology. This study recommends strengthening the academic-industry communication strategy through the development of more open communication patterns, such as star communication patterns, in order to increase direct interaction between students, lecturers, and the broadcasting industry. This effort is expected to strengthen the role of the KPI Study Program in producing graduates who are adaptive, innovative, and ready to compete in the creative and broadcasting industries.