Abstract
There are dangers and pleasures in reducing stories to universal themes. The Odyssey seems all too aware of this. Part of its appeal comes from whether this tale of a single man returning home can stand for far greater questions of what it means to be human. Our pleasure as we recognize these familiar stories mirrors the delight of the poem's characters as they recognize Odysseus. We want such events to be universal, because the pleasure of the familiar helps us on our own journey through the dangers and uncertainties of life. But, as an increasingly vast scholarly bibliography reminds us, recognition in this poem is far from simple. The poem's delight in riddles and trickery means that the joy of any delight in recognition conflicts with its rhetoric of suspicion and the almost paranoid need of its hero for self-preservation. This to and fro is also part of the poem's wider economy of thrift, as if we must pay for any pleasure we gain in recognition with the pain of belated reflection.
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