Abstract

Congwayndut is one of the puppet groups whose performances depart from the traditional wayang (puppetry) style. The wayang play itself belongs to the comedy genre. Nevertheless, the stories presented are still adopted from the stories of Ramayana and Mahabarata. There are some interesting things to be used as discourse materials from Congwayndut, whose accompaniment belongs to the so-called keroncong music, while the duration of the music is shortened to two or three hours. The sanggit of the Ramayana and Mahabarata puppet stories are also interpreted humorouslyand “exibly. This paper reveals the musical facts in the puppet group, that keroncong music is able to give its own impression as pakeliran music. Then, the celloin keroncong music is able to provide a distinctive aesthetic touch toaccompany the war scene. Besides that, it also discussed the performance sketches of the Congwayndut group.Keywords: congwayndut, wayang keroncong, innovative shadow puppet.

Highlights

  • Pendahuluan Keroncong Wayang Gendut atau yang selanjutnya disebut dengan Congwayndut, adalah kelompok wayang keroncong asal Solo

  • The sanggit of the Ramayana and Mahabarata puppet stories are also interpreted humorouslyand “exibly. This paper reveals the musical facts in the puppet group, that keroncong music is able to give its own impression as pakeliran music

  • tahun, alamat Tempen, Pasar Kliwon, Januari 2015

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Summary

KARYA WAYANG

3. Musik “Gamelan Akbar”, tahun 2015 4. 4. Musik Tari “Ramayana Art Summit”, 5. 7. Musik “Opening SIPA ”, tahun 2013 11. 9. Musik Tari “Macan Ganjur”, tahun 2015.

Karya Musik Karya Wayang
Tahap Kompositoris Musik Congwayndut
Aspek Musik
DAFTAR PUSTAKA
DAFTAR NARASUMBER
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