Abstract
Abstract This article contemplates the work of UK-based artists' collective Peeling Onions with Granny (POWG). It explores the synergies between four mixed-media projects. These centre on inter-generational legacies of forced displacement. Each artist discussed was born in the United Kingdom in the 1960s/70s. However, during or shortly after the Second World War, our parents and/or grandparents fell victim to Soviet mass deportations from Poland and Latvia to Siberia. The article reflects on the ethical dimensions of our creative engagement with these legacies. It asks what, in a politically volatile 'pre-Brexit' climate, we as both practitioners and descendants of immigrants are bringing to the 'feast'.
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