Abstract
This paper examines the responses of two groups of high school students to Isaac Julien's film The Darker Side of Black and theorizes what these responses might suggest for how students imagine and argue for community. It explores the tension that is produced as students argue for community as continuous and stable in the face of discontinuity and difference in the diaspora. The paper raises the possibilities for how pedagogy may occupy the space of tension that emerges from competing notions of community. It calls attention to the pedagogic constraints that come from the practice of privileging difference between communities, which might well compromise engagement with difference within. The trope of culture as the attribute of social groups that has come to structure debates on multicultural and antiracist education is critiqued.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callMore From: International Journal of Qualitative Studies in Education
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
