Abstract
This study employed quantitative method to assess various creative works that utilize Adinkra symbols and find out if theusage of the symbol is in agreement with Hierarchy of Needs Theory. The objectives of the study are to explore the symbolismof Adinkra symbols through literature review and to analyse the relationship between the actual philosophical meanings ofAdinkra symbols and the artist’s philosophy behind the use of these symbols. The sampling method used was Stratifiedsampling and Random sampling. Sixty (60) creative works were stratified into these strata: Sculpture, Graphic design, Jewelryand Textile works. Random sampling was also used to sample 15 creative works from the total number of creative works ineach stratum. The data was collected through “Pinterest” (online visual discovery tool). The study found 53% of Adinkrasymbols properly used in relation to the functions of the product. However, 47% of the Adinkra symbols were not in agreementwith the Maslow’s needs. In addition, most of the adinkra symbols used in textiles and jewelry works are basically for aestheticpurposes irrespective of the meaning of the symbol. The textile products accounted for the highest percentage (55%) of adinkrasymbols that do not conform to Maslow’s Needs.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have