Pavlo Virskyi's creativity in the modern scientific discourse

Abstract

Purpose of the article. The purpose of the article is to analyze the scientific discourse of thebeginning of the XXI century about the works of Pavlo Virskyi. Methodology. The use of elementsof discourse analysis, methods of systematization and typology to identify the main genres ofscientific publications made it possible to conduct an objective study and draw reliable conclusions.Scientific novelty. For the first time considered the genres of scientific discourse on the creativity ofP. Virskyi. Conclusions. The work of P. Virskyi is reflected in the main genres of scientificdiscourse – articles, monographs, dissertations, materials of scientific conferences, textbooks.However, in recent years, monographs specifically devoted to aspects of P. Virskyi’s creativity havenot been created, despite certain ideological stratifications do not lose their relevance to themonograph by Yu. Stanishevskyi (1962) and H. Borymska (1971). Diversity, emotionality,professional orientation became the hallmarks of modern scientific discourse about the creativity ofP. Virskyi. Despite the considerable discursive field of creativity by P. Virskyi, a wide range ofproblems did not fall into his circle. Particularly noteworthy is the clarification of the place androle of the choreographer in the development of world choreographic art, the identification of themulti-vector interaction of P. Virskyi’s work not only with Ukrainian artists but also more widely –in a global context.Key words: Pavlo Virskyi, scientific discourse, folk dance, folk-stage dance, ballet master,choreography.