Pauses, Cuts, and Static Interference

Abstract

The mergers and separations that shaped the decolonizing third world also made media history. Singapore’s separation from Malaysia on August 9, 1965, after two tumultuous years of union was no exception. Radio and television, which broadcasted the seminal moments, embodied the mergers and separations of media forms—this is a fact overlooked in both national histories and regional media scholarship. Reconfigured with the complex, shifting intersections of radio and television, the otherwise familiar account of merger and separation in the “Singapore Story” emerges anew with static noises, pauses, iterations, and interruptions. The technical effects of cuts and jumps in early radio and television editing undergird and thereby challenge the politics of representation in studies of decolonization. At the same time, technological transfer and adaptation in the former British colonies open the provincial confines of media theory to a more global, materialist trajectory. This article connects the televised broadcast of Singapore’s independence in 1965 to early enthusiasm for radio’s disembodied voice during the colonial, interwar period. The discussion then examines how Amir Muhammad’s 2007 independent documentary Village People Radio Show (Apa khabar orang kampung) recovers radio’s forgotten role in the Second Malayan Emergency, also known as the Communist Insurgency War (1967–89).