Abstract

In preparing this paper it occurred to me that it would be important to try to gain some perspective on Hindemith's status at the present time, both as a composer and as a music theorist, with the latter activity of course being more central to my topic. As I went through very recent newspaper files (with the assistance of my computer) I was struck by the number of citations of Hindemith's name that appeared in connection with interviews critics had held with a wide selection of American com-

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