Abstract
A TRIUMVIRATE: KALEIDOSCOPIC PATTERNS AND THEMATIC LINKS IN SATYAJIT RAY'S FAIRYTALE TRILOGY AbstractThis fantasy trilogy demonstrates that the fairy tale is a very fluid form of narrative. It travels from village to town to city, and from country to country, thereby gaining and losing some outstanding characteristics. Magic always prevails, the most distinguishing feature. It can be used for various purposes because its fantasy lends itself to various forms like allegory, satire, parody, symbolism and even realism, the most opposing genre. We see how the progress of the films and the collaboration of several Ray family members make this trilogy so complex, from fairy tale and slapstick comedy to contemporaneous political satire and necromancy....
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