Pattern and Form

Abstract

This article explores the role of evolved pattern recognition in the development and divergence of mental frameworks underlying creative and metaphysical thought in Hominid species. It examines the emergence of figurative artistic expression through the lenses of Darwinian evolutionary theory and Gaboran honing theory, testing the limits and overlap of these methodologies when applied to humanity’s archaic relatives. This is contrasted with complex philosophical and artistic traditions of a relatively recent human society, Early Modern Persia. There is something of a taboo around the application of evolutionary psychology in some sociological circles due to its frequent misuse in pop science to dismiss societal change: an appeal to antiquity rebranded as biological determinism. This article will expand the use of evolutionary psychological methodologies in moderation as an additional tool in the study of archaic humanity and its relatives. It finds there is an evolutionary substratum to the development of creative thought, but that its recognisable features for a modern human were unlikely to have initially been selected traits themselves: this evolutionary substratum is a basis of sensory and conceptual pattern recognition traits, generating a mental atmosphere conducive to the development of collective strata of conceptual association, and is traceable to prehistory.