Abstract
The article is the first attempt in the Bulgarian humanities to analyze, on the basis of comparative material from different time segments of the Bulgarian literary process, the image projections of Patriarch Euthymius. This is done in the light of a very debatable theory – the theory of the importance of passionaries for historical procedurality. We are looking for interpretive visions, attracted by the philosophy of history, ethnology andl iterature, to prove the complex understanding of the role and importance of this Bulgarian passionary through the axiological options of the times in which literary works were created, whose main actor was the last patriarch of the second Bulgarian kingdom.
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