Abstract
The paper examines the problem of evaluating the findings of artwork examination in terms of its scientific objectivity. Current negative trends in judicial proceedings in Russia are analyzed in connection with incorrect determination of the subject of forensic artwork analysis. Formal criteria distinguishing between different domains of social conscience are used to identify objective features that help to differentiate between pornographic materials and erotic artwork.
Highlights
При анализе практики судебной искусствоведческой экспертизы за последнее десятилетие было выявлено несколько негативных тенденций, влияющих на ее эффективность в судопроизводстве [1]
The paper examines the problem of evaluating the findings of artwork examination in terms of its scientific objectivity
Current negative trends in judicial proceedings in Russia are analyzed in connection with incorrect determination of the subject of forensic artwork analysis
Summary
При анализе практики судебной искусствоведческой экспертизы за последнее десятилетие было выявлено несколько негативных тенденций, влияющих на ее эффективность в судопроизводстве [1]. НЕКОТОРЫЕ ПУТИ ОБЪЕКТИВИЗАЦИИ РЕЗУЛЬТАТОВ СУДЕБНО-ИСКУССТВОВЕДЧЕСКОЙ ЭКСПЕРТИЗЫ ПОРНОГРАФИЧЕСКОЙ ПРОДУКЦИИ Рассмотрена проблема оценки результатов судебной искусствоведческой экспертизы с точки зрения ее научной объективности. Formal criteria distinguishing between different domains of social conscience are used to identify objective features that help to differentiate between pornographic materials and erotic artwork.
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