Abstract
The study of several French, British and Italian art treatises, articles, essays, and correspondences (mainly from the seventeenth and eighteenth centuries) leads to the analysis of the art of pastel as an example of the relation between scientific knowledge and artistic practice. The importance of following strictly specific recipes, as for the fixative methods as well, reveals not only the presence of a pragmatic purpose, but also aesthetic motives that could be connected to the development of the pastel practice in eighteenth-century Europe.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
