Abstract
“Passatempi musicali” by GuillaumeLouis Cottrau as the way Neapolitan song actualization in 19th century music
Highlights
In 19th century European music has been enriched by national phenomena, such as Polish mazurka, Austrian waltz, Hungarian czardas, which went into the academic genres system, expanded the boundaries of its intonational fund and audience perceptions
The Neapolitan song participated in this process
It was a real discovery for music lovers in different countries
Summary
In 19th century European music has been enriched by national phenomena, such as Polish mazurka, Austrian waltz, Hungarian czardas, which went into the academic genres system, expanded the boundaries of its intonational fund and audience perceptions.
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