Parts and Words in Romanesque Architecture

Abstract

AbstractThis article focuses on the problem of using terms that define isolated elements in classical architecture to describe the continuous vertical surfaces and square edges—based on the shapes of stacked bricks—in early eleventh-century southern European churches. Masons trained in the brick tradition created a comprehensive system of architecture in which decoration, articulation, construction, and structure formed an inseparable whole. Studying these elements of architecture together reveals new information about the regional context of building and the background, intent, and contribution of workers in Romanesque churches.