Abstract

 
 
 Two years ago I was diagnosed with acute myeloid leukemia. From the day I learned that the disease had relapsed, I have spent nearly every free moment in the studio reworking, preserving, and documenting the etching plates I’ve made in my lifetime. But what to do with all of it, those 800 pieces of metal and 5,000 pieces of paper? I’ve heard stories of artists’ entire life’s work being thrown in dumpsters, and others who, with vast means and vainglorious egos, founded museums devoted to their own achievements. How should I resolve my archive, when the end is in sight?
 
 
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