Participation Motives in Relation to Background and Involvement Variables Among Finnish Non-Professional Dancers

Abstract

Different dance forms attract different people. Dancers involved in folk dance, ballroom dance, ballet, and modern dance differ in both their background and participation profiles (Nieminen 1997) and in their reasons for participating in dance (Nieminen 1998). In Finland, the 1980s can be considered a golden age in the field of dance education. It was the decade that at long last saw the start of university-level and vocational dance education in the country. At the same time students of physical education were given the opportunity to specialize in dance pedagogy. The new Finnish Opera House in Helsinki also generated a great deal of publicity for dance in general. All this gave impetus to a demand for qualified dance teachers and increased the number of people involved in art dance. Since the 1970s, folk dance has also become more popular than in previous years and today there are many innovative folk dance choreographers who want to see folk dance not only as the transmission of tradition but also as a theater-art form. The latest changes to take place in the field of folk and ballroom dance are partly due to the new four-year program for folk and ballroom dance instructors offered by the Oulu Conservatory of Music.