Abstract
This chapter starts with a discussion of feminist filmmakers in India and their impactful contributions to the use of sound. It then elaborates on independent films of the digital era, often termed ‘Indian indies’, following Parallel Cinema’s inclination toward audiographic realism, expanding into the use of sync sound and location recordings. Later, the chapter takes a critical overview of the use of sound in documentary, short film, experimental, and arthouse cinema genres throughout India. Examining the experimental processes of sound recording and design that widen audiovisual media’s scope reveals modulations of reality that resonate with contemporary India.
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