Abstract
OCTOBER 136, Spring 2011, p. 7. The exhibition Parallel of Life and Art opened on September 11, 1953, at the Institute of Contemporary Arts in London. Consisting of 122 photographic enlargements edited by Nigel Henderson, Ronald Jenkins, Eduardo Paolozzi, and Alison and Peter Smithson, it explored how reproductive technologies affect the terms of cultural production. The architectural historian and critic Reyner Banham would later refer to the exhibition as a “locus classicus” of the New Brutalist movement.—A.K.
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